Tuesday, August 28, 2007

Is E Learners A Scam?

Ricardo Rendón by Colombian Fernando González


(Inglés
)
caricatures of the Virtual Library Luis Angel Arango.
By Fernando González Ochoa Otraparte Corporation, Envigado The eyes see, the whole personality seen and assimilated through the stop hand painter. Of course I also fertilize all specializations of touch, but nurturing the artist's mouth are the eyes.
His work is not, therefore, picture, portrait or reproduction, unless it could be said that the son is the mother.
's artwork suspended or struck by the spirit of oneness (of one) it has everything that is born.

eyes look, the hand learns ways to lines and colors and artisan makes portraits, self portraits or reproductions, there is no pregnancy, no birth or appearance. Is mechanical. Is voluntary. Difference between seeing and looking. It has nothing to do with motherhood of genius.

Ricardo Rendon was a god. How beautiful elongated eyes and a smile that was his real face!

When we are young, do not know. Air we do not know but when we sink into the water. Ricardo Rendon did not know what it was, but when the sky was tenant, and that was when he killed himself.

not know! Around in cafes, on scraps of paper, one, two, three, four stripes and some shadows ... If it was so easy!

There goes the girl strong and agile on the fiery horse, and master it, and how funny his arms, and breasts and thighs. But do not know what it is, know that with every movement recreates the world and we are surprised with the delivery of unique phenomenon. How do you know what we are, if everything becomes easily? And how can we ignore what is not, if you can not?

Put yourself to work! One, two, three, four lines, and shadows ... Nothing! How hard! And if you look and you learn? A craftsman! Rendón lived

While creating, neither he nor anyone else knew who he was.

Ricardo Rendón observed in the following: First

. "I could not voluntarily exercise, such as artisans. The time of the birth mother surprises.

Segundo. "He worked so easily, producing in the audience the feeling of" it is not grace. " Also feature delivery. Third

. "In none of his works can be said that the secret is in that feature or line. Is in all and ignores what it is. Uniqueness. Fourth

. "It was idiot for practical life and society: mad.

Quinto. "Generosity unconscious of goods and people. Unconsciousness of genius. Sixth

. He was smiling and expressed through the eyes. Eyes mouth. Seventh

. "It made sense of remoteness. I could not familiar. The exception monstrous genius.

Digging in its people, is no explanation of his genius. We explain what is below.

His brother is a Mercury Medellin, who supposedly has "Rendon's trunk", as that was left this medellinita hijuela, charity Catholic capitalist exercised it on their own and their pale image: Non vain
redeat sanguis Imagini

... never heard him speak of his works to defend or explain.

The facility, which is distinctive art work and its quality of entity gestated and born, the artist makes love much, but as the cow loves the calf, without price, to price, discuss its value, praise expose you. Motherhood is beyond the commercial phenomena. I know an artist who has come into controversy about his work, what I've seen in every mother is a rosy shame to the child she is carrying, or was born. For five years I tried to Rendón and always saw him pale, of few words, love, and never spoke of his art and himself. Proper

artisans is complain and blame, because as voluntarily produce and trade, they feel that their struggle should correspond appreciation. So curse of "commercial environment, Philistine, etc.

But the animal that gives birth is captured entirely by the child, which is never a means but an end in itself. Artist whiny and picky, which works out to the streets, as well as some beggars to their daughters, or it has been or is the genie died because of misery. Cursed

talk about his work! Do have to explain? If successful, the goodness is in the speech. Does admiration? If the rise was the keynote speaker.

Rendon earned money, and is very good because it's the law. The artwork has no price. To those not paid by birth, is born necessarily, is an appearance.

price is paid to sell things born to be appropriated. For example, to do portraits and landscapes to sell, sell colors placed by him in certain ways. But no child is born.

I do not know what day or year was Rendón, nor the house. Those who knew the people ignore the dates and exact locations, but once they die and become "glorious," "know" is to know what day and what time you were born and died, and the order of the works, and the house, bed and rest.

boy was pale, stocky and almost tall, shy, he did caricatures of people out there Medellín from 1915 to 1919, he went to Bogota and there for about ten years, gave Colombian eternity at that time . One day he committed suicide and said it was a great man misunderstood. Exercised his vanity about his vain image. What Medellín and Bogotá burn or not to have had Rendón? Burned and yet very well that only gave five dollars ($ 5.00) for "caricature."

Two times is therefore in the art of Rendon. The youth, in Medellin, which was to create the kinds of people very definite Colombian leprosy and future at once admirable and repugnant, and the time in Bogota, in which he breathed life a few years of what it called Patria history in public schools.

artisans and common people-the human race is mob-think cartoon is the increase of that which is disharmonious in figuration. The cartoon is to make apparent the disturbance that took the form of animal or event.

Any entity, animal, event or idea is original figuration latent energy vortex. Thus, every entity is an imbalance or will.

The cartoonist is the seer of sins are men or events. Contemplating

Bobo

Marcos Rendon Tangles or have the notions of genial idiot idiot. Seeing Medellin Gordo rendoniano have the notion of profit wrapped in Catholic charity. El Gordo School of Mines is the notion of high scam. How easy! The touchstone of artistic work is the production of the feeling of ease, freedom of gravity (clumsiness). The cartoon is, therefore, the exposure of the hidden will in contrast to the sham. The subject is stripped, leaving his clothes. Hence the irony.

The smile comes from the contrast of the will beloved (vanity) and the biological will of the figure. General Berrío

rendoniano is huge fight between the heavy belly and head glandiform, which simulate the will to power, and the real will, which is the humus, tubers. Suárez rendoniano

The seminarian is a sin cane wrapped in sanctities.

The cartoon belongs, like all ironic, anti-social arts. Rendon was immoral.

Today, when the engineer has covered the earth's crust of common people (Homo Politicus, socialism), not the warning that the cartoons do not think we have to lie but Leonardo, Rendon and some non-French Vichy Ah Papon old Marshal Petain! Furthermore, this journal Yankees and countless other Americas are dolls that are abused hairs, nose or forehead.

not too much to add that I must not confuse his genius with South America eco misleading: There is a Goethe, who lived in Germany, and there is another, Manizales, is a Don Quixote in Sierra Morena and another ... Ecuador, a certain Montalvo, there Simón Bolívar There Bolivarian societies: the world is full of ... those! Rendón, committed suicide saturated with them, paid with his life the privilege of living in the Americas, the drool of the Americas.

Where are you, Ricardo Rendón? Judge

Fraud I am in Medellin always stubborn, but small and the will to live. We


nobodies: you, dead, and I
, Judge
Fraud in Medellin. Where you
what is? Here, listen: passed two girls on the sidewalk

and the vision drew my anxious conscience

tentacles burst through the window as the female octopus or leaning. These



lengthened my mouth eager
to the nearby store
House Juvenile and now back to me throbbing, vibrating
rest of the files of Judge Fraud. Old


tempted meat, old
poisoned meat,
you resist. And one question I get yelled
the abyss of the soul: Will there be a substratum of the self?


The flesh wants to rub young
and I want to be eternal.

I expected the Devil, before Judge bifronte

say "I was behind, smelling them in small sips,
and then, like bull fiery taste sneezed. was always quarrelsome, the flesh was his delight. "


reply at the Old Man of the sensitive balance:
"It is true what you said
agile prehensile tail and double words."

walked behind them, it is true, boy, young and old, my eyes searched them, the elastic curve, bleeding mouths
and milk teeth. Fuila
back, smelling of sorbic looking for the smell of life

FEEL, hundiles palps,

looking for the emergence of the flesh. very old, I dreamed I live rub: Magical
rubbed in circles;
Rub also oranges Rub
all fruits in magic circles.



The old caron and the sensitive balance bifronte
eternal winked and said these words measures:
"After them, however, lies the origin.
'll go for the goddess of the breasts erect the pregnant cow grazing in the River Valley Nutritional

. "

answer you now! but whoreson Not a corpse? ...
what big-headed bundle of bones then? ... Dust
what next? "And no one then? ... Or precise

(1) the tripod table
patojo
of Canos? ...
(2)
.
What I hear you mutter under my bed .?...
This, it says!: "Mr. Friede and all you Honor your mother."




not remember how we were the Panidas in the second decade of this century X drank liquor and worked on things around priceless street, consuming the youth, which is mana, which if not spent rot. But I do remember they were Rendón, León de Greiff, Pepe Mejía and other poets who committed suicide or engaged in trade, lost the memory of their honorable youth. I also remember that Rendon said hoarsely glutted comrade departed spirits that his cup: "Drink the drink."

And so ends what I know of Ricardo Rendón.
Notes:


(1)

The precise argentinismo vulgar, is used here to give emphasis to the contempt for the spirits tables inseparable from trembling. What poverty beyond!

(2)
The ladies were spiritualists Canos of Medellín, 1915.

From: Municipal Chronicle - Body Medellín City Council - Special Edition - August 1963.

Source:

"

Ricardo Rendón-1894-1994

" newspaper El Colombiano, Sunday supplement, Medellín, Sunday June 12, 1994. Bibliography

* ESCOBAR CALLE, Miguel. Ricardo Rendón, the humor satire fact, the centenary of the birth of the best Colombian cartoonist of the twentieth century. History Credential Magazine, Issue 53, Bogotá, May 1994. In Virtual Luis Angel Arango Library

.


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